What’s On

With their eclectic, danceable grooves and astute, hilarious put-downs of modern Britain, Getdown Services are steadily carving out a name for themselves. The new EP ‘Crumbs’ sees the duo weave slacker-rock, funk, indie and dance into an engrossingly entertaining sound brimming with infectious hooks and acerbic wit. Steadily building momentum over the past 18 months with balls-to-the-wall live performances, their highly lauded debut album ‘Crisps’, and prestigious shows with Pip Blom, Fat Dog, The Bug Club, Goldie Lookin’ Chain, Donny Benet, and Personal Trainer, the band ready themselves for their biggest ever headline tour this autumn. Off the back of extensive BBC 6Music support from the likes of Craig Charles, Huw Stephens, and Cerys Matthews, and armed with an arsenal of red-hot hits, Getdown Services look set to gobble the world up, one crumb at a time.

CLUB WITH NO NAME proudly presents

RISKEE AND THE RIDICULE
Riskee And The Ridicule were formed from contrasting musical backgrounds combining grime, hip hop, punk and metal influences to make a new, exciting and unique sound. The band’s catchy hooks and tight harmonies combined with clever, witty, observational lyrics provide a sound that is fresh and that will appeal to a wide variety of music lovers. This, integrated with raw, emotional and energetic live performances, means the band are destined for big things. Check them out for yourselves in a small venue, while you’ve still got the chance.

support from CLUB BRAT and 1 More (TBC)

TBC

Gengahr’s critically acclaimed debut album turns 10 next year and to celebrate the band are hitting the road to play their breakthrough album in full.

They will be visiting a few of the very same venues that first welcomed the band back in 2015 as well as a selection of other small venues across the country, paying homage to these vital spaces where bands develop both their sound and audience.

Thrilled to bring psycho jazz titans and contemporary memelords Wolf Eyes back to Cambridge for the first time in nearly two decades.
Now a duo of John Olson and Nate Young, over nearly 30 years Wolf Eyes have laid waste to the American midwest and beyond with a dizzying range of punishing noise, alien soundscapes, warped blues, grindhouse ambient, power psyche, and new age skronk.

Over a crushingly vast discography of lathe cuts, CDrs, handmade tapes, and the occasional “regular” release, they’ve pushed instruments and listeners to the limit, frying circuits and minds in equal, incalculable numbers. Always ingenious, always inscrutable, always revelatory, Wolf Eyes are consistently essential but never predictable. True underground DIY heroes of our age!

“Within 30 seconds of Clark’s solo set starting, the room was silent. Her voice poured over the gentle dissonance suggested by each chord” The Quietus
Hannah Lou Clark is a songwriter & musician known for her own introspective indie rock, as well as for alt-pop project FOE.

“Her songs nuzzle their way into you. They wander toward you slowly at first but then their hooks cling like cat claws. These are pop songs but with gristle from a grunge-dunked youth. They’re the kinda songs that feel like disembodied dreams in which you’re gazing from the eye of the storm, lost in a drunken twirl that may last a minute or a lifetime.” Drowned in Sound

Having previously toured with the likes of Thurston Moore, Gaz Coombes, and Lonely The Brave, Hannah is back for a very special one off show to celebrate the release of her debut album ‘How To Unlearn Yourself’.

13th Chime formed in 1980 in the small London over-spill town of Haverhill in Suffolk. Born out of the British Punk scene: Vocalist Mick Hand, guitarist Gary O’Connor and drummer Ricki Cook were previously in The Antix while bass player Terry Taylor, played with the hard hitting three piece The Wynd-ups. The band released three independent singles: Coffin Maker, Cursed and Fire, and disbanded circa 1983.

After discovering the three independently produced 7” singles by the 13th Chime, Caleb Bertron of Sacred Bones Records, made it his mission to track the band down and released whatever material they had, on his Brooklyn based record label.

This sparked a renewed interest in the band, which inspired vocalist Mick Hand to form a new lineup that went on to tour Europe, the US …and remarkably an evening in St Petersburg, Russia.

Keeping up traditions of years gone by The Ouse Valley Singles Club return to the Portland Arms Cambridge on Friday 18th April.

If you are not familiar with The Ouse Valley Singles Club or have yet to catch their live show then you are in for a treat. They are one of, if not the, most original outfits currently playing the live circuit.

Fully self-promoted with the aid of their online videos and huge social media presence, the Ouse Valley Singles Club are one of the hardest working bands around, having gigged almost every weekend over the last 10 years honing their craft and building a massive following of loyal Fans as they go.

Influenced by the long forgotten sounds & traditions of 1950’s Skiffle (Google it) they combine this sound with the energy of Punk and the swing of Rock and Roll, whilst occasionally dropping some Reggae flavour into the mix. Then layering this with hilarious Folk-like story-telling, often crossing the parameters of what is deemed to be politically correct but keeping it very tongue in cheek. In doing this, they have created a truly original & highly entertaining sound that has been dubbed “New Wave Skiffle” and they have been described as ‘George Formby meets The Clash’ where Vaudeville music Hall meets Working Men’s club.

The scourge of the Metropolitan Liberal Elite’ The OVSC put on a show that gives a hysterical observational account of everyday tales of woe with a razor-sharp observational narrative whilst rocking the crowds with their infectious ear-worms.

Having packed out the main arena’s to capacity, they have headlined Peterborough Beer Festival and opened to several thousand revellers on the main stage at Bedford’s River Festival (second largest free festival in the UK) as well as being a regular feature at events such as Cambridge’s Strawberry Fair, The OVSC are no strangers to the Festival Circuit. Festivals they have performed at are; Boomtown, Bestival, Rhythmtree, Nozstock, Mosley Folk and Lunar Festival, Truckfest, Rhythms of The World festival, Lodestar, Henry’s Little Big Gig, Harlequin Festival, Maui Waui, Green Meadows and Glastonbudget among many others.

Highlights of their musical journey came when they supported luminaries Chas and Dave on their 2014 tour, warmed up for Sir Bob Geldolf and The Boomtown Rats in the main arena at the Great British Alternative Music Weekender at Butlin’s Skegness as well as providing warm up for the likes of Pete Docherty, The Wonderstuff and the poetical musical comedy genius KATG. Clearly illustrating their flexibility and appeal to audiences of all ages and musical backgrounds going down a storm and building their following at every gig they play.

BIG|BRAVE’s music has been described as massive minimalism. Their fusillades of textural distortion and feedback emphasize their music’s frayed edges as much as its all-encompassing weight. The potency of the trio’s work is their singular artistry combining elements of traditional folk techniques and a modern deconstruction of guitar music. Gain, feedback, and amplitude are essential.

BIG|BRAVE achieve their colossal sound through minimalist approaches, a deft understanding of dynamics and an inventive employment of percussion and distortion. The trio reconceptualize what it is to be heavy or minimal, challenging perceptions with their illumination of painfully overlooked perspectives. BIG|BRAVE’s sound has blossomed, harnessing potent emotions with their unparalleled arrangements and intricate economies of space.

Vraell (real name Alessio Scozzaro) is a classically trained London-based musician who has been releasing music under the ‘Vraell’ moniker since early 2019, rapidly building up an online audience for his ethereal sounds. His songs such as “Between” have recently become viral sensations as well as being used by BBC Earth.

Radiator + supports

TBC

The Deadlians – The Deadlians are a Dublin based band with a cult following
playing folk songs, punk rock, psychedelic segues. With thumping drums, a
humming synth, evocative guitars and inventive vocal ornamentation, The
Deadlians come together in catchy arrangements. They are looking to create their
own identity in the alternative folk music scene. Their music is phenomenal. With
melodic and rhythmic tunes, their sound evokes a faintly darker edge to a new
generation of Irish alternative trad/folk groups performing today. Dublin man Sean
Fitzgerald, singer, balladeer, songwriter, poet, storyteller and musician fronts The
Deadlians started in 2017 as a four piece are now an Irish trad rock five-piece. One
of Ireland’s best kept secrets.

https://youtu.be/vbXAZ6t0oG0?feature=shared

Bandcamp – https://thedeadlians.bandcamp.com/album/rid-the-land-ofgreedy-
toads

As one of the most influential players in the UK scene as a solo artist, one-quarter of The Four Owls and founder & CEO of High Focus Records, Fliptrix continues to ascend.

From a basement studio in Camberwell to living off-grid in the Portuguese mountains, Fliptrix has always manifested his dreams in the music he makes. His many adventures across the world and standout collaborations with a long list of like-minded music makers such as DJ Premier and Greentea Peng are significant highlights, however, they were always part of the panorama; Fliptrix’s dedication and laser-guided focus key pillars of his ongoing legacy.

Having recognised music as an extremely powerful medium from an early age, Fliptrix seeks to spread positivity and light through his creations; with messaging and meaning taking centre stage at every turn. He writes songs to further himself as an individual, expanding his knowledge album-on-album, with the aim of making a difference to the lives of those who listen.

£1 from every ticket goes to Cam Skate, who run Cambridge’s volunteer run indoor skate park

Rock night