Due to illness this show has been cancelled. Existing ticket holders will be refunded.
Lauded by many as one of Britain’s Finest Live bands in the late 90s and early 00s, Billy Mahonie are back on tour. Taking in many of the towns and cities previously played (Glasgow, Leicester, Cambridge, London, Brighton) and some newer places, the band members have never felt so stoked to get out on the road.
The expression of hard-fought optimism encapsulates The Good Kind, an album exploring themes of sexuality, relationships, community, and illness. Our Girl’s trademark dynamics permeate the record, from heavy guitars and soaring lead lines to ear worm choruses and intimate vocal moments. Filled with warmth and honesty, The Good Kind is a celebration of determination – of choosing to recommit to what matters, against all opposition. “A lot of the songs are about taking setbacks and turning them into superpowers” says drummer Lauren Wilson.
“I only realised then, when I thought it out loud,” begins singer/guitarist Soph Nathan on ‘Relief’, the first single released from the album, “And I feel better now”. This song is aptly named, invoking a long-awaited exhale – the feeling of finally emerging from a long and lonely period of uncertainty and self-doubt. Beginning with a single airy strum, Nathan’s reverb-drenched guitar attaches itself to Joshua Tyler’s grounding bass chords, as Wilson’s quietly insistent drum beat throws its weight behind Nathan’s words of reassurance: “You’ve gotta see it to believe it/ Well, I see it in you already.”
This song speaks honestly to the life-giving importance of queer community. From the warmth and immediacy of her delivery, Nathan could be comforting a friend. But as ‘Relief’ builds from that cautious opening to a determinedly, driving force, it becomes clear: these aren’t empty platitudes. Nathan believes in you, because she’s learned to believe in herself.
While WH Lung’s name might suggest a nod to the likes of WH Auden and similarly austere literary figures, it actually comes from a Chinese supermarket in their native Manchester. This deliberate blurring of high and low culture is part of the appeal of the enigmatic three-piece (Joseph E on vocals/synths, Tom S on guitar and Tom P on bass), their songs juxtaposing simplicity with free-ranging experimentation. But even more key is their ability to seamlessly meld genres – krautrock, post-punk and synthpop, most prominently – to create songs that are fresh and exciting yet familiar-sounding and accessible.
Their recent single, “Stages”, featured Peaky Blinders’ Cillian Murphy doing a voiceover on the track; with The Franks & Walters you never know what to expect next, but you know it will be a bit quirky and great fun. Formed in Cork, Ireland they have been spreading joy and happiness with their indie-pop music for over 30 years.
“The Franks” became famous in the 90’s Indie scene and have a catalogue of hundreds of songs from seven studio albums. They still play sold out gigs all over Europe.
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