What’s On

[caption id="attachment_84981" align="aligncenter" width="566"] The Karma Effect Band, signed to Earache Records photographed by Dean Chalkley[/caption]

Tickets released 20th Jan at 10am

Dirty vintage rock n roll; the bastard lovechild of Black Crowes vs Aerosmith with a step-sibling of Greta Van Fleet.

Formed during the Covid pandemic buy a bunch of long-time school hood friends and musical acquaintances, The Karma Effect, are a 21st Century take on a classic 70s rock, roll n soul sound; big on keys, guitar riffs and huge vocal melody, all combining into a grandiose sonic soundscape that draws upon the best of yesteryear. Their debut album epitomises this philosophy. It’s a no-nonsense throwback, encapsulating the energy of good time, arena, rock n roll, brought bang up to date.

This show is Standing
Doors open at 7:30pm
Last entry at 9:30pm
Curfew at 11pm

The Deadlians – The Deadlians are a Dublin based band with a cult following
playing folk songs, punk rock, psychedelic segues. With thumping drums, a
humming synth, evocative guitars and inventive vocal ornamentation, The
Deadlians come together in catchy arrangements. They are looking to create their
own identity in the alternative folk music scene. Their music is phenomenal. With
melodic and rhythmic tunes, their sound evokes a faintly darker edge to a new
generation of Irish alternative trad/folk groups performing today. Dublin man Sean
Fitzgerald, singer, balladeer, songwriter, poet, storyteller and musician fronts The
Deadlians started in 2017 as a four piece are now an Irish trad rock five-piece. One
of Ireland’s best kept secrets.

https://youtu.be/vbXAZ6t0oG0?feature=shared

Bandcamp – https://thedeadlians.bandcamp.com/album/rid-the-land-ofgreedy-
toads

Acts TBC

Acts TBC

TBC

TBC

Gordon Chapman-Fox’s Warrington-Runcorn New Town Development Plan project sees a bold visual aesthetic and striking retro-futuristic audio identity seamlessly melded together into one evocative musical package. Over five albums and one EP, Chapman-Fox impeccably soundtracks the construction and growth of a northern English community from the mid 1970’s to early 1980’s, rendered in shimmering arpeggios and soaring, euphoric leads.

Having been embraced by both the mainstream media (BBC Radio 2, BBC Radio 6, RTE) and niche publications alike, as well as hitting both the UK album charts and multiple end of year lists (Piccadilly Records, Bleep, Electronic Sound), it’s clear that there is no end of appreciation for the impeccably produced, immersive drift of Warrington-Runcorn’s sound.

While all of the entries in his canon have garnered significant praise, it was 2023’s The Nation’s Most Central Location that really put Warrington-Runcorn on the map with Electronic Sound naming it album of the year and Rough Trade dropping it at no. 13 in their list, as well as netting Chapman-Fox a repeat appearance at End Of The Road Festival in both 2022 and 2024.

Though the strong visual aesthetic and impeccable world building is a strong part of Warrington-Runcorn’s presentation, it would be nothing without the effortlessly evocative music that lies at the core of his essence. Bristling synth lines that puncture the air, rumbling basses and chord swells that you feel right to the spine, with rhythmic arps and snapping delays effortlessly taking the role of most of the traditional percussive elements.

Where do we go from here? With WRNTDP’s sound making graceful stretches outwards into folky minimalism, shimmering IDM and languid ambient there is no way to tell for sure, but it’s a guarantee that wherever it may go, Warrington-Runcorn New Town Development Plan’s Music is perfect for soundtracking the building of a new world, or the ending of an old one.

https://www.youtube.com/watch?v=PMhN3pWyBR0