What’s On

DOUBLE HEADLINE SET!

Get ready for an unforgettable night of music as Little Comets hit the road for their highly anticipated Spring 2025 tour! With a fresh batch of new tracks straight out of the lab. From heartfelt melodies to infectious rhythms, expect a dynamic setlist that will have you singing along from start to finish.

Whether you’re a long-time fan or a first-time listener, this is the perfect opportunity to experience the passion that Little Comets bring to the stage. Don’t miss out on this intimate live show filled with new tunes and the classics bangers you know and love.

See you there.

One Dan, 88 Keys
An electrifying night of amusing piano pop-punk. If you like the energy of McFly, the wit of Bowling for Soup and the timeless influence of Elton John then newcomer, Dan Sutton will make the perfect Friday Night out for you.

Joining him is the incredibly talented solo artist Angelkidd known around East Anglia for his crazy energy, catchy tunes and brilliant set of original tracks.

Gengahr’s critically acclaimed debut album turns 10 next year and to celebrate the band are hitting the road to play their breakthrough album in full.

They will be visiting a few of the very same venues that first welcomed the band back in 2015 as well as a selection of other small venues across the country, paying homage to these vital spaces where bands develop both their sound and audience.

“Within 30 seconds of Clark’s solo set starting, the room was silent. Her voice poured over the gentle dissonance suggested by each chord” The Quietus
Hannah Lou Clark is a songwriter & musician known for her own introspective indie rock, as well as for alt-pop project FOE.

“Her songs nuzzle their way into you. They wander toward you slowly at first but then their hooks cling like cat claws. These are pop songs but with gristle from a grunge-dunked youth. They’re the kinda songs that feel like disembodied dreams in which you’re gazing from the eye of the storm, lost in a drunken twirl that may last a minute or a lifetime.” Drowned in Sound

Having previously toured with the likes of Thurston Moore, Gaz Coombes, and Lonely The Brave, Hannah is back for a very special one off show to celebrate the release of her debut album ‘How To Unlearn Yourself’.

October Drift have gained a strong word-of-mouth following since exploding onto the music scene.

Despite the early success of their incendiary debut singles – receiving support from Steve Lamacq, John Kennedy and Q magazine to name but a few – and a string of sold-out gigs, this band still remain something of an enigma.

October Drift’s music is similarly ambiguous, characterised by their signature wall of sound guitars, soaring, ponderous vocals and driving, urgent drums.

The band have gained a reputation for delivering blistering, high-energy live shows, and we can’t wait to welcome them back.

Price includes a 50p venue levy

Radiator + supports

Miki Berenyi Trio are Miki Berenyi on vocals/guitar (Lush), Kevin ‘Moose’ McKillop on guitar (Moose) and Oliver Cherer (Gilroy Mere, Aircooled). The three musicians first worked together during Piroshka’s 2021 tour, Miki and Kevin being founder members, Oliver coming in on bass to replace Mick Conroy (Modern English) who had moved to the US.

When the global pandemic made touring impossible, Miki spent the lockdown months writing her memoir, “Fingers Crossed”, released in 2022 to widespread acclaim. To provide some musical accompaniment for the string of book events and signings, Miki Berenyi Trio was formed.

The band has developed a momentum of its own, touring with the Wedding Present and Gang of Four and sold out London co-headline show with Aircooled.

Price includes a 50p venue levy

80s parody spandex band back to the Portland for the first time in 3 years.

Arthur Brown is synonymous with his 1968 hit “Fire” and the Hammond-driven “Crazy World” line-up which spawned it. However, his ‘God of Hellfire’ burned out fast and, in 1970, he returned with a new project: the prog-festival freak-show Kingdom Come followed by a varied solo career. Those initial four band albums, by The Crazy World of Arthur Brown and by Kingdom Come are thrilling, as tend to be Brown’s cameos on other peoples’ projects.

Best known for his flamboyant theatrical performances and his powerful, wide- ranging operatic voice. He has been a major influence on a wide range of musicians due to his outstanding vocal ability and wild stage persona and concepts. He is considered a pioneer of shock rock and progressive rock and influential on heavy metal music.
He associated with Jimi Hendrix, The Who, Frank Zappa, Hawkwind, Klaus Schultze and Alice Cooper and made a cameo appearance in the cult film “The Committee” and also “Tommy”. His countless collaborations include The Alan Parsons Project, The Stranglers and The Prodigy.
His best-known single “Fire” hit number 1 in the UK singles chart and Canada, and a number 2 on the US Billboard Hot 100. The album “The Crazy World Of Arthur Brown” had top ten success on both sides of the Atlantic. Following “Fire”, the press would often refer to Brown as “The God of Hellfire”, in reference to the opening shouted line of the song.
Arthur shows no signs of stopping or slowing down and continues to record and release hugely inspiring music, including his most recent release “Long, Long Road” (2022) and the launch of his new multi-media show “A Human Perspective”.

https://www.thegodofhellfire.com

https://www.facebook.com/arthurbrownmusic

Live Laugh Love. It’s a phrase you might encounter in a certain type of cursive on the wall of a certain type of home. On the opposite end of the mood board, it’s also a stick-and-poke tattoo on Chastity Belt guitarist/vocalist Julia Shapiro’s left ankle (just below a highly improvised Shrek), and the title of the band’s fifth album. It’s fun, it’s funny, but it’s also sincere, not unlike the band’s history – a joke that became real because it was always real – and the enduring bond that has been their band’s foundation for the past 13 years.

In their decade-plus together, the four-piece – Shapiro, Lydia Lund (guitar, vocals), Gretchen Grimm (drums, vocals), and Annie Truscott (bass, vocals) – have created a resonant body of work. The early days of “Nip Slip” and “Pussy Weed Beer” (hits from their iconic debut full-length “No Regerts”, which recently celebrated 10 years) and the “Cool Slut” era of 2015’s “Time To Go Home” were raucous bonanzas of dry wit and self-evident feminism. A newfound gravity on 2017’s “I Used to Spend So Much Time Alone” shifted the lyrical mood toward introspection as they continued to refine their trademark sound: lush intertwining guitars, meticulous rhythms, a careful balance of melancholy and optimism. Two years later, the dreamy Chastity Belt marked a renewal of vows to their musicianship and friendship, each member coming into their own as artists, convening with a fresh perspective on collaboration.

Price includes a 50p venue levy

ProgRock/Metal night

Massive night of two of the biggest bands to spring out of the 1990s! Not Radiohead celebrate the music of Radiohead in this, the 30th anniversary of the era defining album, The Bends, while Nerdvana bring the stagediving and moshing peak of Nirvana to life!

Hotly-tipped Cambridge-based seven piece The Orchestra (For Now) have released their first ever song “Wake Robin”.

Winners of this year’s edition of Green Man Rising, opening the main stage at the acclaimed tastemaker festival, and fresh off the back of two sold out shows at London’s St Pancras Old Church, the band have also just announced their next London headline at the ICA on 10th April.

“Wake Robin” should not be the work of a band releasing their first song. A dextrous multi-limbed assault on the senses, “Wake Robin” is an 8 minute odyssey, welding orchestral movements with rapid fire drumming and a preacher on the mountain top vocal delivery. The Orchestra (For Now) emphatically bring all these strands together with a confidence and delivery that is a testament to their months of live experience and careful development of their sound.

“The Orchestra (For Now) are further cementing their prime position among next year’s ones to watch.” – DIY Magazine

“It feels no exaggeration to say that the bands debut is one of the most highly anticipated of the year.” – So Young

“A completely distinctive sound, hugely progressive in scope and tone.” – Clash Magazine

Price includes a 50p venue levy.